Her artistic practice explores the relationship between matter, territory, and time, focusing on how memory becomes inscribed on surfaces through processes of wear, transformation, and permanence. With a background in architecture, she works across installation, photography, and textile and sculptural processes.

Her interest centers on trace, absence, and residue, as well as on how materials register tension, displacement, and processes of alteration. Through the intervention of surfaces and the use of natural and industrial materials, she investigates the fragility of structures and their capacity for resistance over time.

Her work proposes an open, material-based approach in which meaning emerges from the relationship between gesture, matter, and context.